Born in Buenos Aires, Argentina, Pedro Guarracino creates sculptural works that fuse ceramics and crochet. Colourful, contemporary and a little bit quirky, these sculptures reflect both conceptual ideas of reconciliation and transformation, as well as a Bauhaus style modernism.
We asked Pedro about his practice, the influences on his work, and his process of creation...
How would you explain your artistic style and approach to someone that is unfamiliar with your work?
I create sculptural works that bring together ceramics and crochet—two very different materials that, when combined, open up new conversations about mediation, reconciliation and transformation. My approach is intuitive but conceptually grounded; I’m interested in contrasts—soft and hard, structured and organic—and how these opposites can come together in harmony. Storytelling is at the heart of what I do, and I see each piece as a layered narrative shaped by exploration.
How has your background and where you lived influenced your art?
My family's migration journey from Italy to Argentina, and my own move to Australia, has deeply influenced the way I think about belonging, cultural heritage, and identity. These themes often surface in my work, not as literal references but as underlying textures. I also draw from the craft traditions I grew up with—crochet, in particular, is something I learned from my mother. Combining those inherited techniques with ceramics, which I discovered on my own, feels like a way of bringing my past and present into dialogue.
What role does colour play in your work?
Colour is central to my work—it’s both expressive and symbolic. I'm naturally drawn into the use of bold, vibrant palettes in my art. Colour connects me to some places in Buenos Aires, and reminds me of the happy memories I've harvested throughout my own journey in life. I also like the immediate reaction that people have when they look at my artworks, there's something striking about colour that creates feelings without relying on words. I guess it's another tool for storytelling.
Which mediums do you prefer working with, and what draws you to them?
Ceramics and crochet are my main mediums, but I'm always thinking about exploring new ones. I love ceramics for its grounding quality and its playfulness—it’s earthy and reminds me of playing with my hands as a kid. Crochet, on the other hand, is soft, and deeply meditative, I don't think as a kid I would have enjoyed it that much. They both carry historical knowledge and speak to care, time, and repetition. I love the contrast between them, but also the unexpected harmony they create when combined. Together, they allow me to explore not just form, but feeling—bringing both tension and tenderness into the work.
